ATEEZ Secures Sixth Victory for "BAD" on Inkigayo, Topping a Competitive Music Show Landscape
Article Editorial Team
The dynamic K-pop group ATEEZ has once again demonstrated their commanding presence in the music industry, clinching their sixth music show win for their track "BAD." The triumphant moment occurred on the September 13 episode of the popular SBS music program Inkigayo, solidifying the group’s dominance in the current promotional cycle. This latest accolade adds to an impressive streak, underscoring the widespread appeal and critical acclaim of their recent musical endeavors.
A Fierce Competition on Inkigayo
The September 13 broadcast of Inkigayo featured a particularly strong lineup of contenders for the coveted first-place trophy. The nominees for the week were a formidable trio: BIGBANG’s highly anticipated comeback track "BiiiG," ATEEZ’s powerful anthem "BAD," and RESCENE’s captivating "LOVE ATTACK." In a display of their immense popularity and dedicated fan support, ATEEZ ultimately emerged victorious, amassing a total of 5,800 points. This win signifies not only the group’s performance strength but also the significant impact of their fanbase in the music show voting system, which typically considers digital sales, physical album sales, broadcast points, and viewer pre-votes and live votes.
The victory on Inkigayo, a program known for its discerning viewership and rigorous evaluation, is a significant milestone for ATEEZ. It highlights their ability to consistently engage with their audience and deliver performances that resonate deeply, securing them top spots against established and rising artists alike. The competition was stiff, with each nominated song bringing its unique charm and artistry to the stage. BIGBANG, a legendary group, commanded attention with their signature sound, while RESCENE, a relatively newer group, showcased their potential with a strong comeback. ATEEZ’s win against such strong competition speaks volumes about their current momentum and the broad appeal of "BAD."
ATEEZ’s Ascendancy and the Significance of "BAD"
The song "BAD" is a pivotal track in ATEEZ’s recent discography, released as part of their ongoing musical narrative. The group, known for their intense performances, intricate concepts, and powerful stage presence, has consistently pushed artistic boundaries. "BAD" itself is characterized by its potent energy, a signature blend of driving beats and evocative melodies that has become a hallmark of ATEEZ’s sound. The accompanying music video and live performances have further amplified the song’s impact, showcasing the members’ synchronized choreography and undeniable charisma.
This sixth win is part of a larger trend of success for ATEEZ. Their music show wins are not isolated incidents but rather a testament to their sustained popularity and the effectiveness of their promotional strategies. The group has cultivated a global fanbase through consistent touring, engaging content, and a strong artistic identity that appeals to a diverse audience. The cumulative effect of these wins builds momentum for future releases and further solidifies their position as one of the leading groups in the current K-pop generation.
A Glimpse into the Inkigayo Stage: A Star-Studded Lineup
Beyond the main competition, the September 13 episode of Inkigayo presented a diverse and exciting array of performances from a multitude of talented artists. The show served as a platform for both established stars and emerging talents to showcase their latest music and captivate the audience.
The performing artists included:

- (G)I-DLE’s Soyeon delivered a powerful solo performance of "I’m gonna TOESA." Known for her fierce stage presence and songwriting prowess, Soyeon’s solo ventures often highlight her individual artistry.
- EVAN showcased his artistry with "Death of Me," offering a different stylistic flavor to the program.
- &TEAM performed a medley of their tracks, "Good Boy" and "Mark on Me," demonstrating their synchronized choreography and youthful energy. This performance likely appealed to their growing international fanbase.
- VERIVERY presented their track "Don’t Panic!," continuing their exploration of unique concepts and strong performance skills.
- MONSTA X brought their signature intense and charismatic stage presence with their song "MAGIC," a group known for their powerful performances.
- SHINee’s Minho impressed with his solo offering, "Make it hot," showcasing his versatility beyond his group activities.
- UNIS performed "Sky Land, Star Land," a performance that likely resonated with fans of their bright and enchanting concepts.
- MCND energized the stage with "Devil Youth Club," a group recognized for their dynamic performances.
- hrtz.wav showcased their talent with "ALIVE," contributing to the diverse musical landscape of the show.
- Kwon Eun Bi captivated the audience with her solo track "DEJAVU," a performance that likely highlighted her elegant artistry.
- TUIDE presented "SUN KISS," adding another unique sound to the episode.
- OURBIRTHDAY performed "Our Birthday," likely resonating with fans who appreciate their specific artistic direction.
- TNX brought their distinctive style with "Die Another Day," a group known for their impactful performances.
- ALL(H)OURS showcased their energy with "DANG DANG," contributing to the show’s vibrant atmosphere.
- TUNEXX performed "BLUE MODE," adding their unique sound to the lineup.
- Park Junil presented "BREAK IT," a performance that likely showcased his individual musicality.
- Kim Hee Jae delivered "I Really Hate Goodbyes," a performance that likely evoked strong emotions from the audience.
- Lee Jisoo showcased "MISMATCH," offering a fresh perspective on the musical offerings.
- EASTSHINE performed "EOI_KU," contributing their distinct artistic expression.
- DUETTO presented "please," likely offering a different vocal dynamic to the show.
- H//PE Princess rounded out the impressive list of performers with "AWA," concluding a night of diverse musical talent.
The inclusion of such a wide range of artists reflects the health and diversity of the current K-pop scene, with Inkigayo consistently serving as a premier stage for these artists to connect with their fans and the broader public.
Analyzing the Implications of ATEEZ’s Success
ATEEZ’s consistent performance at the top of music charts and on music shows carries several significant implications for the group and the broader K-pop industry. Firstly, it reinforces their status as a top-tier global idol group. Their ability to secure multiple wins for a single track demonstrates sustained popularity and a dedicated, active fanbase that mobilizes effectively during promotional periods. This success not only boosts the group’s confidence and morale but also enhances their marketability for future endorsements, collaborations, and international tours.
Secondly, the success of "BAD" contributes to ATEEZ’s artistic legacy. Each win is a marker of achievement that can be referenced in future career retrospectives and awards. It also validates their musical direction and performance strategies, encouraging them to continue exploring and evolving their unique sound and visual concepts. The critical reception and fan engagement surrounding "BAD" suggest that their artistic choices are resonating deeply with a significant audience, providing a strong foundation for their continued growth.
Furthermore, ATEEZ’s achievements on music shows contribute to the global recognition of K-pop. As they achieve milestones, they draw more international attention to the genre, encouraging new fans to explore the diverse range of artists and music within the K-pop ecosystem. Their success on programs like Inkigayo is not just a victory for the group but a win for the entire industry, showcasing the power and reach of Korean popular culture on a global scale.
The comprehensive nature of music show scoring, which often includes factors like digital streaming, album sales, and social media buzz, means that ATEEZ’s wins are indicative of their multifaceted appeal. They are not only strong performers but also adept at building a loyal and engaged community of fans who actively support their releases. This holistic success is a key indicator of a group’s longevity and impact in the highly competitive K-pop landscape.
The ongoing "Golden Hour: Part. 5" album cycle, which "BAD" is a part of, has been met with significant anticipation and positive reception, as hinted by teaser information for new album releases. This consistent performance suggests a well-planned comeback strategy that has effectively captured the attention of both critics and consumers. The group’s ability to maintain this level of success across multiple promotions indicates a strong command of their artistry and market presence.
In conclusion, ATEEZ’s sixth win for "BAD" on Inkigayo is a significant achievement that underscores their position as a leading force in the K-pop industry. It is a testament to their talent, dedication, and the unwavering support of their global fanbase. As they continue to release music and captivate audiences with their performances, ATEEZ is poised to further solidify their legacy and influence in the ever-evolving world of popular music. The competitive environment of Inkigayo, featuring a diverse array of artists, further highlights the strength of ATEEZ’s achievement, marking a notable moment in their celebrated career.