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K-Pop Interviews & Editorials

ITZY Discusses WANNABE Comeback Success and Travel Aspirations on SBS Power FM Radio Appearance

By admin
April 5, 2026 6 Min Read
0

Members of the South Korean girl group ITZY appeared as featured guests on the March 17 broadcast of SBS Power FM’s popular radio program, “Park So Hyun’s Love Game,” providing fans with an in-depth look at their creative process and personal experiences following their highly anticipated comeback. During the session, the quintet—consisting of Yeji, Lia, Ryujin, Chaeryeong, and Yuna—shared reflections on their latest title track, “WANNABE,” and reminisced about their recent international travels filmed for their dedicated variety series, “Paris et ITZY.” The appearance came at a pivotal moment in the group’s career, as they continued to solidify their reputation as "monster rookies" within the competitive K-pop landscape, following a string of successful releases under JYP Entertainment.

The Creative Evolution of WANNABE

A significant portion of the interview focused on the group’s musical direction and the technical nuances of their latest hit, “WANNABE.” When host Park So Hyun inquired about the members’ initial impressions of the track, leader Yeji offered a candid perspective on the emotional weight of the release. She noted that the group felt a complex mixture of anxiety and excitement, stating that the experience felt markedly different from their debut era. This shift in sentiment highlights the growing pressure on the group to maintain the momentum established by their previous hits, “Dalla Dalla” and “ICY.”

The members also revealed a fascinating behind-the-scenes detail regarding the song’s production. They recalled that the signature sound of a doll’s spring being wound up—a motif that has since become synonymous with the track’s identity—was not present in the original demo they first heard. According to the group, this specific sound effect was integrated into the arrangement after the vocal recording sessions were completed. The addition of this mechanical clicking sound was described by the members as "breathing new life" into the composition, effectively reinforcing the song’s theme of breaking free from societal expectations and being "who I want to be."

Chaeryeong further elaborated on the emotional impact of the song’s message. Known for its empowering lyrics that advocate for self-confidence and individuality, “WANNABE” has resonated deeply with the group’s global fanbase, known as MIDZY. Chaeryeong expressed that her greatest sense of fulfillment comes from hearing listeners state that the song helped them regain their self-esteem and pride. This connection between the artist’s intent and the audience’s reception underscores ITZY’s role as influential figures in the "teen crush" genre, which frequently emphasizes self-love and independence.

Reflecting on Paris et ITZY and European Travels

Beyond their musical endeavors, the radio appearance touched upon the group’s foray into reality television with “Paris et ITZY.” The show, which documented the members’ journey through France, allowed fans to see a more personal and relaxed side of the idols. When asked about their favorite memories from the filming process, the members shared distinct highlights that showcased their individual preferences.

Chaeryeong identified the Eiffel Tower as her personal favorite landmark, noting the profound impression the iconic structure left on her. In contrast, Lia spoke fondly of the group’s time spent in a more tranquil setting. She recalled a beachside house situated on the border between France and Germany, describing a picturesque environment where the ocean was literally at their doorstep. Lia emphasized the calming atmosphere and the aesthetic beauty of the coastal views, suggesting that these moments of peace were a welcome reprieve from their demanding schedules in Seoul.

The discussion then turned toward future travel aspirations. Youngest member Yuna expressed an enthusiastic desire to visit Spain if a second season of the travel show were to be produced. Her vision for a Spanish getaway was described as "romantic," involving morning coffee and pasta at local cafes. Yuna’s interest in Spain extended to cultural immersion and shopping, indicating a desire to explore the vibrant lifestyle of the Iberian Peninsula alongside her fellow members. These comments sparked immediate interest among fans on social media, many of whom began speculating on potential filming locations for future ITZY content.

Contextualizing ITZY’s Commercial Trajectory

The March 17 radio appearance took place during the promotional cycle for ITZY’s second mini-album, IT’z ME, which was officially released on March 9, 2020. To understand the significance of the members’ comments, it is essential to look at the data surrounding the “WANNABE” comeback. Upon its release, the music video for “WANNABE” garnered tens of millions of views within its first 24 hours, eventually surpassing 100 million views in record time for the group.

[NEWS] ITZY talks about “WANNABE” and their “Paris et ITZY” Show

The track, produced by the songwriting duo Galactika, who also helmed their debut hit “Dalla Dalla,” achieved a "certified all-kill" on several major Korean music charts, including Melon, Genie, and Bugs. Furthermore, the album IT’z ME showcased ITZY’s versatility, featuring collaborations with high-profile international producers like Oliver Heldens. The success of this era was not merely limited to digital charts; it also manifested in physical sales, with the album topping the Gaon Album Chart and demonstrating the group’s strong domestic and international purchasing power.

The "shoulder dance" choreography in “WANNABE,” performed primarily by Ryujin during the intro, became a viral sensation across social media platforms like TikTok and Instagram. This level of cultural penetration solidified ITZY’s status as trendsetters, moving beyond the "rookie" label into the territory of established industry leaders. The radio interview served as a platform to humanize these achievements, allowing the members to speak about the hard work and technical adjustments that went into creating a chart-topping product.

Analysis of the "Teen Crush" Phenomenon and Group Identity

The evolution of ITZY’s sound and public persona, as discussed on “Park So Hyun’s Love Game,” reflects a broader strategic shift in the K-pop industry. JYP Entertainment positioned ITZY as a group that avoids traditional "cute" or "sexy" concepts in favor of a "teen crush" aesthetic that focuses on empowerment. The "doll’s spring" sound effect mentioned by the members is a metaphorical representation of this; it suggests a transition from being a "doll" controlled by others to a self-actualized individual.

The group’s transition from their debut year (2019) to their 2020 comeback signifies a maturing artistic identity. Yeji’s mention of feeling "different from when we just made our debut" points to a heightened sense of professional responsibility. In the K-pop industry, the "sophomore slump" is a common concern for many groups, but ITZY’s ability to articulate their growth and their focus on meaningful fan interactions through songs like “WANNABE” suggests a sustainable long-term strategy.

Furthermore, the integration of variety content like “Paris et ITZY” is a critical component of modern idol branding. By sharing their travel experiences and personal preferences on a radio show, the members bridge the gap between their "perfect" stage personas and their relatable real-life personalities. This multifaceted approach to stardom—combining high-octane performances with vulnerable and candid media appearances—is a hallmark of the fourth-generation K-pop era.

Broader Impact and Industry Implications

The ripple effects of ITZY’s comeback and their subsequent media appearances are felt throughout the global music industry. As K-pop continues to expand its footprint in Western markets, the group’s emphasis on individuality and self-acceptance aligns with global cultural shifts toward mental health awareness and self-empowerment. The fact that fans reported "regaining confidence" after listening to their music indicates that ITZY is successfully tapping into a universal emotional resonance that transcends language barriers.

From a business perspective, the group’s success with IT’z ME and “WANNABE” reinforced JYP Entertainment’s position as a powerhouse for girl groups. Following in the footsteps of Wonder Girls, miss A, and TWICE, ITZY has managed to carve out a unique niche that does not overlap with their seniors, thereby expanding the company’s total market share. The mention of future travel to Spain also hints at the group’s potential for further international market penetration, as travel variety shows often serve as precursors to world tours or regional promotions.

In conclusion, ITZY’s appearance on SBS Power FM’s “Park So Hyun’s Love Game” was more than just a standard promotional stop. It was an opportunity for the members to reflect on their artistic growth, the technical intricacies of their music, and their personal bonds formed through travel. As the group continues to break records and influence the next generation of K-pop, their focus remains steadfast on the message of self-love that defined their 2020 comeback. With "WANNABE" continuing to perform well on global charts and fans eagerly awaiting their next move, ITZY has proven that they are not just "wannabes," but the definitive standard for modern K-pop excellence.

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