Afroman’s First Amendment Triumph Fuels Streaming Surge, While Animation and Viral Trends Propel Nothing But Thieves and 3OH!3
This week’s "Trending Up" report highlights a remarkable confluence of legal battles, popular culture moments, and viral internet phenomena that have significantly boosted the streaming performance of several artists. Rapper Afroman has experienced a dramatic resurgence in listenership following a high-profile legal victory that championed his First Amendment rights. Simultaneously, the alt-rock band Nothing But Thieves and the electro-pop duo 3OH!3 are enjoying renewed attention, driven by prominent placements in animated television series and widespread social media trends, respectively. These developments underscore the multifaceted ways in which artists can achieve renewed popularity in the digital age, often through unexpected avenues.
Afroman’s Legal Vindication Sparks Streaming Explosion
The past week has seen a significant surge in streaming activity for Afroman, the artist best known for his 2000 hit "Because I Got High." This resurgence is directly linked to a jury verdict on March 18th, which found in favor of the California-based rapper in a defamation lawsuit brought by seven Ohio police officers. The officers had sued Afroman, alleging that he defamed them through music videos that satirized a failed, armed raid on his home in 2022.
The lawsuit itself, characterized by its unusual circumstances and Afroman’s defense centered on his First Amendment rights, captured public imagination. This legal drama, playing out in the national spotlight, appears to have resonated deeply with audiences, translating into a substantial increase in his music consumption. According to data from Luminate, Afroman’s entire music catalog saw an unprecedented surge of over 500% in streaming volume in the week following the jury’s decision.
Detailed Streaming Data and Chronology
To illustrate the impact, Luminate data reveals a clear pattern of growth. During the four-day period leading up to his trial, from March 13th to March 16th, Afroman’s discography garnered 1.12 million official on-demand U.S. streams and just over 100 U.S. digital downloads. This provided a baseline for his pre-verdict performance.
The shift following the jury’s ruling was dramatic. In the subsequent four-day period, from March 20th to March 23rd, his official on-demand U.S. streams skyrocketed by 511% to reach 6.8 million. Digital downloads also saw a phenomenal increase of 2,113%, surpassing 2,500 paid downloads.
The track that has emerged as the most buzzed-about beneficiary of this renewed attention is "Lemon Pound Cake." This song directly addresses an incident during the raid where a deputy allegedly eyed a cake in Afroman’s home. Following the verdict, "Lemon Pound Cake" experienced an astonishing 9,353% jump in streams, reaching 2.12 million official on-demand U.S. plays between March 20th and 23rd. Its digital download performance was equally remarkable, leaping an immense 126,300% to over 1,200 U.S. digital downloads.

However, the streaming surge is not limited to Afroman’s more recent, raid-related tracks. His signature hit, the Grammy-nominated "High," also experienced a significant boost. On the Friday following the verdict (March 20th), the song itself garnered over 600,000 official on-demand U.S. streams, representing a 133% increase.
The album that compiles Afroman’s recent police-related disses, also titled Lemon Pound Cake, has already made its mark on the charts, debuting at No. 8 on Billboard’s Comedy Albums chart for the dated week of March 28th. Analysts suggest that further gains may be on the horizon as public interest continues to follow the rapper’s legal and artistic journey.
"Invincible" Season Premiere Propels Nothing But Thieves’ "If I Die Tonight" to New Heights
In a different corner of the music industry, English alt-rock band Nothing But Thieves has found an unexpected pathway to wider recognition through their inclusion in the latest season of Amazon Prime Video’s acclaimed animated superhero series, Invincible. While the band has maintained a consistent presence on various rock charts for nearly a decade, particularly since the release of their 2015 self-titled debut album, one of its deeper cuts has now captured mainstream attention.
The song in question is "If I Die Tonight," a power ballad from their debut album that had previously failed to chart significantly on Billboard’s airplay, sales, or streaming platforms during its initial mid-2010s release. Its fortunes have dramatically changed with its prominent placement in the season four premiere of Invincible. The track served as the sonic backdrop for an opening montage depicting the aftermath of the previous season’s dramatic finale, playing for over three minutes. This extended exposure provided ample opportunity for viewers to discover and identify the song.
Viral Identification and Streaming Impact
The immediate impact of the Invincible placement was evident in song identification services. "If I Die Tonight" quickly became one of the most Shazamed songs in the country during the week of the premiere. This viral identification spurred many viewers to seek out the song on digital streaming platforms (DSPs).
According to early data from Luminate, the song’s streaming numbers saw a dramatic increase. During the first four days of the preceding tracking week (March 13th-16th), "If I Die Tonight" had accumulated fewer than 17,000 streams. However, for the corresponding four-day period in the current week (March 20th-23rd), that figure surged to 345,000 streams, marking an astonishing gain of 1,942%.
This significant uplift suggests a powerful synergy between popular streaming content and music discovery. Industry observers note that Invincible has established itself as a valuable platform for sync placements, with this resurgence for Nothing But Thieves potentially paving the way for even greater commercial success for the band. The show’s continued popularity and its knack for highlighting lesser-known tracks could lead to further musical moments in future episodes.

Animation-Inspired Dance Trend Ignites 3OH!3’s "Richman"
Meanwhile, the Denver-based electro-pop duo 3OH!3 is experiencing a significant streaming revival, driven by a viral dance trend originating on TikTok. The catalyst for this resurgence was an original animation shared by user @/hymnuslop on February 4th. The animation featured two characters, inspired by the My Little Pony franchise, dancing to 3OH!3’s 2009 deep cut, "Richman." This unique visual paired with the song’s infectious beat quickly set in motion a widespread streaming resurgence for the 18-year-old track.
The initial animation, which depicted one character lip-syncing in the foreground while another danced in the background, laid the groundwork for a trend that has since translated to real-world interpretations. User @/janabananathings is credited with propelling the trend into high gear with her March 2nd post, which has since amassed nearly four million views and over 540,000 likes. The accompanying sound, derived from @/hymnuslop’s original clip, has been used in over 52,000 TikTok posts. The official 3OH!3 TikTok account has actively engaged with the trend, sharing several archival clips of the duo performing "Richman" throughout the years, further amplifying the song’s visibility.
Quantifiable Streaming Growth Fueled by Social Media Virality
The impact of this TikTok trend on 3OH!3’s streaming numbers is substantial. During the week of February 27th to March 5th, the same week @/janabananathings shared her viral video, "Richman" logged 429,000 official on-demand U.S. streams, representing a 193% increase from the previous week.
The momentum continued to build. In the following week, March 6th to March 12th, which captured a full week of the trend’s burgeoning popularity, the streaming figure leaped an additional 133% to just over one million official on-demand U.S. streams. Continuing its upward trajectory, "Richman" saw another 44% jump to 1.44 million official streams in the week of March 13th to March 19th.
Over the past four weeks, "Richman" has experienced an explosive growth of over 1,800% in streaming activity. This remarkable resurgence has brought 3OH!3 back into the pop culture conversation, all thanks to a song that was never officially released as a single. The trend highlights the enduring power of viral social media challenges to unearth and re-popularize catalog tracks, demonstrating that even older, less commercially prominent songs can find a new lease on life through creative online engagement.
These three distinct narratives—Afroman’s legal victory, Nothing But Thieves’ animated series placement, and 3OH!3’s viral TikTok trend—collectively illustrate the diverse and often unpredictable pathways to musical success in the contemporary landscape. They underscore the importance of cultural relevance, digital engagement, and the enduring appeal of well-crafted music, regardless of its original release date or chart performance.