The global phenomenon BTS, a seven-member South Korean group that has redefined K-pop and achieved unprecedented international success, has released their latest single, "Swim," from their new album Arirang. The track marks a significant departure from the group’s signature high-energy anthems, offering a more introspective and mellow sound. However, "Swim" has also ignited a complex discourse among fans and critics regarding its artistic direction, lyrical content, and visual representation, particularly in light of the album’s stated intention to revisit the group’s Korean roots.
From their debut in 2013 with "No More Dream," BTS has cultivated an image of relentless drive and resilience, a narrative powerfully encapsulated in tracks like "Run BTS." This enduring theme of overcoming adversity and pushing forward has been a cornerstone of their identity. Yet, "Swim" seems to signal a deliberate shift, exploring a more contemplative pace. The single, entirely in English, features a swaying melody and smooth vocal performances, making it easily digestible. Its simple, catchy hook, "Swim, swim / Water falling off your skin," provides an accessible earworm.
A Thematic Shift: From Running to Swimming
The lyrical content of "Swim" suggests a desire for a pause, a moment of reflection amidst a career defined by constant motion. As J-Hope raps, "Under here, we don’t chase the time," the song hints at a newfound freedom from the relentless pressure of maintaining their meteoric rise. This sentiment resonates deeply for a group that experienced global stardom six years into their journey. Metaphorically, swimming represents an immersive experience, allowing one to shut out external noise, focus on internal rhythm, and find a sense of peace. This contrasts sharply with their earlier, more aggressive soundscapes that mirrored their "bulletproof" persona.
However, the album Arirang, intended as a return to the group’s foundational Korean heritage, has presented a puzzling paradox with its lead single. The choice for "Swim" to be entirely in English has been a point of contention for some, who expected a stronger presence of Korean lyrics. This decision becomes more significant when examined within the context of the album’s creation and its ambitious collaborators.

The Creative Process Behind "Swim"
The production of Arirang involved a two-month songwriting camp in Los Angeles, bringing together BTS with a roster of renowned Western producers and songwriters. Figures such as Ryan Tedder, Diplo, Tyler Spry, El Guincho, and JPEGMAFIA contributed to the album’s sonic tapestry. While collaboration is a vital part of modern music production, the extensive involvement of Western creatives has led to questions about the extent to which the album truly embodies the "Korean heritage" it aims to celebrate.
"Swim" itself credits nine individuals for its creation, with RM being the sole BTS member listed among the lyricists. This extensive collaborative effort raises the specter of the "too many cooks in the kitchen" scenario, a critique previously leveled against albums like Map of the Soul: 7. The production of "Swim" exhibits a subtle, yet persistent, sharp percussive element that, at times, competes with the softness of the vocals. Harsh vocal processing further diminishes the distinct timbres of the members, a sonic choice that, while potentially intentional for contrast, has become a recurring feature in BTS’s recent discography without always yielding a compelling result. The track, on initial listens, doesn’t immediately evoke the signature "BTS" sound that fans have come to expect.
Visual Storytelling and Cultural Representation in the Music Video
The music video for "Swim," directed by Tanu Muino and reportedly filmed off the coast of Portugal, offers a visually stunning, film-like narrative of a sea adventure. However, its aesthetic, while beautiful, has been described by some as reminiscent of an extended perfume commercial, a critique that echoes the fleeting impact of the song itself.
A more significant point of discussion surrounding the MV is its casting and thematic focus. The video prominently features American actress Lili Reinhart, known for her role in "Riverdale." Reinhart’s character acts as a bridge, traveling between her present day and BTS’s maritime journey, seemingly becoming the central figure in a comeback that has been years in the making. While the intention might have been to use an outsider’s perspective to guide viewers into a new narrative space, the choice of a white actress as this crucial link has sparked debate about the target audience and the cultural messaging being conveyed by Big Hit Music and BTS. This decision has led to introspection about who BTS, and their agency Hybe, are aiming to connect with through this lead single.
Reinhart’s character navigates the ship, experiencing the presence of the BTS members as fleeting glimpses – a shared hallway encounter with V, a reflection in a mirror of Jin – suggesting an ethereal connection rather than a direct interaction. This portrayal adds a layer of melancholic distance to the narrative.

Deeper Meanings and Cultural Allusions
Despite initial reservations, a closer examination of the MV and its accompanying materials reveals deeper layers of meaning and potential redemption for the single’s concept. An animated trailer for Arirang drew inspiration from the historical journey of seven Korean students who attended Howard University, one of the United States’ Historically Black Colleges and Universities (HBCUs). These students became instrumental in the first known recording of "Arirang" in 1896, a poignant connection to the song’s enduring legacy and its role in Korean cultural identity. While this specific recording differs from the version referenced in BTS’s "Body to Body," the thematic link is significant.
Within "Swim" itself, certain lyrical moments stand out. The delivery of the line, "I could spend my lifetime watching you," by V, Jungkook, and Jin, carries a profound sadness and longing. The extended note on "watching" underscores an uncrossable distance, potentially alluding to the members’ separation or their prolonged absence from their fanbase, ARMY. This creates a sense of yearning for connection, a feeling of being seen but not truly acknowledged on a human level.
The MV also embeds subtle clues that touch upon the tradition and meaning of "Arirang." Jungkook’s steady gaze at the horizon as he steers the ship, a quick shot paired with Jimin’s declaration, "I just wanna dive," emphasizes the group’s readiness to move forward. The German word "voraus," meaning "ahead," featured in a brief visual, reinforces this forward momentum.
A classic BTS touch is the inclusion of a Morse code message. Jin passes RM a note in the captain’s cabin, which reveals the word "NORMAL." This reference links "Swim" to another track on the album that critically examines societal pressures and the definition of normalcy. The inclusion of "NORMAL" prompts listeners to question their own perceptions of what constitutes a typical existence, especially in the context of the extraordinary lives led by the BTS members.
The MV plays with the idea of presence and absence, as Reinhart moves through the frozen figures of the BTS members. They appear as spectral memories on the ship, and Reinhart’s eventual return to her present, wet but smiling, suggests that their story, or the essence of their experience, can be carried forward.

The Enduring Power of "Arirang" and the Quest for Depth
The album’s title track, "Arirang," is a folk song that has demonstrated remarkable endurance, serving as a cultural touchstone passed down through generations. While "Swim" incorporates elements of this spirit, the analysis suggests that these touches are not substantial enough to fully herald BTS’s highly anticipated comeback. The lyrics "I just wanna to dive / I just wanna dive" hint at a desire for depth and risk, yet the song, and particularly its MV, often remain at a surface level. The intriguing ideas presented are not consistently developed into something profoundly meaningful.
The music video itself struggles to establish a definitive central thesis. Is it primarily telling BTS’s story, or is it framing their narrative through the limited perspective of an outsider? This indecision, coupled with a perceived caution in capturing a broad audience’s attention, might inadvertently lead to a less impactful reception.
The song "Swim" is more than just a musical offering; it represents a moment of introspection for BTS. The album Arirang itself, named after the iconic Korean folk song, signifies a deliberate attempt to reconnect with their roots. The journey from energetic anthems like "No More Dream" to the more contemplative "Swim" reflects an artistic evolution. The challenges and questions raised by "Swim" are not necessarily indicative of failure, but rather of a group at a pivotal stage, navigating the complexities of their global fame, their artistic identity, and their connection to their cultural heritage. The song and its accompanying visuals serve as a complex tapestry, inviting listeners and viewers to ponder the layers of meaning and the evolving narrative of BTS.