Circle Chart Reveals April’s Top Performers: TXT and AKMU Dominate Monthly Charts, BTS Leads Global K-Pop
Circle Chart, formerly known as Gaon Chart, has unveiled its comprehensive rankings for April, showcasing the dominant forces in the South Korean music landscape. The latest reports highlight significant achievements across various chart categories, including monthly and weekly album sales, digital downloads, streaming, and global K-pop performance. Notably, TXT secured a remarkable double crown on the monthly album and digital download charts, while AKMU achieved a similar feat on the monthly overall digital and streaming charts. BTS continued its strong global presence, topping both the monthly and weekly Global K-Pop charts.

Monthly Album Chart Dominance: TXT Claims Top Spot
The Monthly Album Chart for April saw a strong showing from new releases, with TXT’s latest mini-album, "7TH YEAR: A Moment of Stillness in the Thorns," debuting at the coveted No. 1 position. This release not only propelled TXT to the top of the physical album sales but also contributed to their overall success by topping the digital download chart for the month. The impressive debut underscores TXT’s growing influence and dedicated fanbase, capable of driving significant sales figures for their new projects.

The top five positions on the Monthly Album Chart were exclusively occupied by recent releases, indicating a vibrant period for new music. Following TXT, NCT WISH’s “Ode to Love” secured the second spot, marking a strong entry for the group. &TEAM’s “We on Fire” claimed third place, showcasing their consistent performance. TWS’s “NO TRAGEDY” landed at fourth, demonstrating their growing popularity, and PLAVE’s “Caligo Pt.2” rounded out the top five, highlighting the diverse range of artists making an impact on the physical album market. The concentration of new releases in the top tier suggests a dynamic market where fresh content is highly anticipated and rapidly embraced by consumers.
Weekly Album Chart Highlights: TWS and ILLIT Lead the Pack

Shifting to the weekly rankings, TWS took the lead on the Weekly Album Chart with their mini-album “NO TRAGEDY.” This achievement signifies strong week-to-week sales performance and sustained fan engagement for the group. Hot on their heels, ILLIT’s “MAMIHLAPINATAPAI” entered the chart at No. 2, demonstrating impressive immediate sales impact for the rookie group. ILLIT’s rapid ascent to the upper echelons of the album chart speaks to their significant buzz and strong initial market reception since their debut.
Further down the weekly rankings, NEXZ’s “Mmchk” made a notable debut at No. 3, indicating a promising start for the group’s latest release. CRAVITY’s “ReDeFINE” followed at No. 4, showcasing their continued presence in the album sales arena. QWER’s “CEREMONY” completed the top five, highlighting the competitive nature of the weekly album market and the consistent performance of established and emerging artists alike. The diverse range of artists appearing on the weekly chart suggests a healthy and varied physical album market, with different fanbases actively supporting their respective idols.

Monthly Download Chart: TXT’s Digital Prowess
In the digital realm, TXT continued their winning streak by topping the Monthly Digital Download Chart for April. Their latest title track, “Stick With You,” debuted at No. 1, reaffirming the group’s strong digital appeal and the popularity of their title tracks. This achievement, coupled with their album chart success, solidifies TXT’s position as a dominant force across multiple metrics. The ability of a single to debut at the top of the download chart indicates significant pre-release hype and immediate fan purchasing activity.

The subsequent positions on the monthly download chart were significantly influenced by the duo AKMU. Their title track, “Joy, Sorrow, A Beautiful Heart,” made a strong debut at No. 2, while their hit B-side, “Paradise of Rumors,” secured the No. 3 spot. This dual success underscores AKMU’s enduring popularity and the broad appeal of their music, with both lead singles and fan-favorite B-sides resonating strongly with the digital audience. PLAVE also made a significant impact, capturing the No. 4 and No. 5 positions with their tracks “Born Savage” and “HMPH!” (featuring SOLE), respectively. This demonstrates PLAVE’s strong digital presence and the widespread enjoyment of their music by a dedicated fanbase.
Weekly Download Chart: NEXZ Takes the Lead

The Weekly Digital Download Chart saw NEXZ claim the top position with their new single, “Mmchk.” This marks a significant achievement for the group, highlighting their strong digital appeal for individual tracks. CRAVITY’s “AWAKE” followed, debuting at No. 2, indicating a solid reception for their latest digital release. TWS’s “You, You” entered the chart at No. 3, showcasing their consistent digital performance. AKMU’s “Paradise of Rumors” climbed to No. 4, demonstrating its sustained popularity in the digital sphere. Park Ji Hoon’s new title track, “Bodyelse,” rounded out the top five, rounding off a competitive week for digital single sales.
Monthly Digital and Streaming Charts: AKMU’s Dual Victory

AKMU achieved a remarkable double crown on the monthly charts, dominating both the Overall Digital Chart and the Streaming Chart for April. Their songs “Joy, Sorrow, A Beautiful Heart” and “Paradise of Rumors” secured the No. 1 and No. 2 spots respectively on the Overall Digital Chart, showcasing their widespread appeal and strong listener engagement. This dual success highlights AKMU’s ability to connect with a broad audience through their musical artistry, achieving both high download numbers and significant streaming figures.
Hearts2Hearts’ “RUDE!” maintained a strong presence at No. 3 on the Overall Digital Chart, followed by HANRORO’s “Landing in Love” at No. 4 and “0+0” at No. 5. These positions reflect the sustained popularity of these tracks within the digital download market.

The top four positions on the Monthly Streaming Chart mirrored the weekly results, with AKMU’s “Paradise of Rumors” leading the pack at No. 1, followed by “Joy, Sorrow, A Beautiful Heart” at No. 2. Hearts2Hearts’ “RUDE!” secured the third spot, with HANRORO’s “Landing in Love” at No. 4. KiiiKiii’s “404 (New Era)” completed the top five, indicating a diverse range of popular tracks being streamed by listeners. The consistent performance of certain tracks across both download and streaming charts underscores their broad appeal and sustained listener interest.
Global K-Pop Dominance: BTS Leads the Charge

BTS continued their reign as global K-pop ambassadors, securing a double crown on the Monthly Global K-Pop Chart and the Monthly Social Chart. Their track “SWIM” soared to the No. 1 position on the Global K-Pop Chart, with other BTS releases, including “2.0” at No. 3, “Body to Body” at No. 4, and “Hooligan” at No. 5, occupying multiple top spots. This dominance highlights BTS’s unparalleled global reach and the continued fervent support from their international fanbase, known as ARMY. The group’s ability to consistently chart across various global metrics underscores their status as a leading force in the international music scene.
HUNTR/X’s “Golden” from the “KPop Demon Hunters” soundtrack held strong at No. 2, showcasing the growing influence of K-pop adjacent content on global charts. The strong presence of BTS across the top positions on the Global K-Pop Chart signifies their enduring impact and widespread appeal beyond South Korea.

Weekly Global K-Pop and Social Charts: Shifting Dynamics
On the Weekly Global K-Pop Chart, BTS’s “SWIM” maintained its No. 1 position, demonstrating sustained popularity. HUNTR/X’s “Golden” held steady at No. 2, followed by BTS’s “2.0” at No. 3. CORTIS’s “REDRED” made a significant jump to No. 4, indicating a surge in listener interest, while BTS’s “Body to Body” moved to No. 5.

The Monthly Social Chart saw BTS retain their top position, reflecting their continued dominance in online engagement and fan interaction. ILLIT followed at No. 2, showcasing their rapid rise in social media popularity. BLACKPINK secured the third spot, with IVE at No. 4 and aespa at No. 5, rounding out the top tier of artists with the most significant social media presence.
The Weekly Social Chart presented a shift, with ILLIT climbing to No. 1, indicating a surge in their social media activity and fan engagement for the week. BTS secured the second position, followed by BLACKPINK at No. 3, aespa at No. 4, and LE SSERAFIM at No. 5. This dynamic movement on the social charts highlights the ever-evolving nature of fan engagement and the constant competition for online attention among K-pop artists.

Implications and Future Outlook
The April Circle Chart rankings reveal several key trends in the K-pop industry. The continued success of established groups like TXT and BTS, alongside the strong debuts and performances of newer acts like NCT WISH, ILLIT, NEXZ, and TWS, indicates a healthy and evolving market. TXT’s double crown on the monthly album and download charts, and AKMU’s similar achievement on the digital and streaming charts, underscore the importance of both physical album sales and digital consumption in measuring an artist’s success.

BTS’s sustained dominance on global charts reaffirms their status as a global phenomenon, setting a high bar for international outreach and impact. The strong performance of these artists on Circle Chart not only reflects their current popularity but also provides valuable insights into fan engagement patterns and market preferences. As the K-pop industry continues to expand globally, these charts serve as a crucial barometer for tracking the growth and influence of artists on a national and international scale. The diverse range of artists appearing across the charts suggests a robust and competitive landscape, with both seasoned veterans and emerging talents vying for the top positions. The ongoing success of these artists is a testament to the vibrant and dynamic nature of the global K-pop phenomenon.