Rein Me In by Sam Fender and Olivia Dean is now in its ninth week at No. 1 in the U.K., but it’s been slower breaking through on the Hot 100.
UPDATE (May 2): The chart-topping collaboration "Rein Me In" by British artists Sam Fender and Olivia Dean has reclaimed the coveted No. 1 spot on the Official Singles Chart in the United Kingdom. The track, which has become a fixture at the top of the U.K. charts, marked its ninth nonconsecutive week at the summit on Friday, May 1st. This resurgence comes after a brief dethronement by Olivia Rodrigo’s single "Drop Dead," which held the top position for a single week.
While "Rein Me In" continues its dominant reign across the Atlantic, its performance on the Billboard Hot 100 in the United States presents a contrasting narrative. For the chart dated May 2, the song climbed to No. 66, a modest ascent from its previous position at No. 73. This marks a slight improvement but remains two spots shy of its current peak performance on the U.S. chart, which stands at No. 64.
The sustained success of "Rein Me In" in the U.K. has placed it in an elite category. It is now counted among only five singles since the inception of the Official Singles Chart to achieve nine or more weeks at No. 1 without simultaneously reaching the top 10 of the Billboard Hot 100, a benchmark that has been tracking popular music in the U.S. since 1958.
A Tale of Two Charts: "Rein Me In" and its Transatlantic Journey
The disparity in chart performance between the U.K. and the U.S. for "Rein Me In" highlights the often-divergent tastes of music audiences on either side of the Atlantic. Historically, a significant overlap in successful tracks has been observed, with many songs achieving widespread popularity on both major charts.
A Legacy of Dual Dominance
Six songs in music history have managed to secure 10 or more weeks at No. 1 on both the Billboard Hot 100 and the U.K.’s Official Singles Chart. The pioneering track to achieve this dual dominance was Whitney Houston’s iconic ballad "I Will Always Love You," from the soundtrack of the 1992 film The Bodyguard. It spent an extended period at the top of both charts, solidifying its place in music history. More recently, Alex Warren’s 2025 hit "Ordinary" also achieved this remarkable feat.
In between these landmark successes, four other singles have etched their names in the annals of cross-Atlantic chart history:
- Drake featuring WizKid & Kyla – "One Dance" (2016): This infectious Afrobeats-infused track captivated global audiences, spending considerable time at the pinnacle of both the U.S. and U.K. charts.
- Ed Sheeran – "Shape of You" (2017): A global phenomenon, Sheeran’s rhythmic pop anthem dominated airwaves and streaming platforms worldwide, achieving multi-week chart-topping status on both sides of the pond.
- Luis Fonsi & Daddy Yankee featuring Justin Bieber – "Despacito" (2017): The reggaeton-infused smash hit transcended language barriers, becoming one of the biggest global hits of the decade and achieving significant chart success in numerous countries, including the U.S. and U.K.
- Harry Styles – "As It Was" (2022): Styles’ upbeat and introspective track became an anthem of 2022, demonstrating its broad appeal by reaching the summit of both major singles charts.
The "Rein Me In" Phenomenon
However, "Rein Me In" is currently charting a different course. While it has solidified its position as a national treasure in the U.K., its journey on the Hot 100 has been more gradual. As of the previous reporting period on April 23, the song was in its eighth week at No. 1 in the U.K. but had experienced a drop on the Hot 100, moving from its peak of No. 64 to No. 73.

Several factors may be contributing to this divergent performance. One significant element is the continued strong performance of other tracks by Olivia Dean on the U.S. charts. Her other singles, "Man I Need" and "So Easy (to Fall in Love)," are reportedly maintaining strong positions, with "Man I Need" holding at its No. 2 peak and "So Easy (to Fall in Love)" remaining at its No. 6 high. These tracks are perceived by some as being more aligned with current mainstream pop sensibilities and potentially more immediately appealing to a broader U.S. radio audience.
Furthermore, while Sam Fender is a well-established and highly popular artist in his native U.K., with a history of four top 10 hits on the Official Singles Chart, "Rein Me In" marks his debut appearance on the Billboard Hot 100. This suggests a potential need for greater market penetration and audience recognition in the United States.
Analyzing the U.K. Chart Dominance
The sustained success of "Rein Me In" in the U.K. is a testament to its widespread appeal within the domestic market. The song’s ability to hold the No. 1 position for an extended period, even with brief interruptions, indicates strong radio play, robust streaming numbers, and significant physical sales or download figures.
The Official Singles Chart in the U.K. is compiled by the Official Charts Company and is based on sales and streaming data from all the major music retailers and streaming services across the country. Its methodology considers a combination of audio streams, downloads, and physical sales to determine the weekly rankings. The chart’s longevity and influence make it a crucial barometer of popular music trends in the United Kingdom.
The Billboard Hot 100: A Different Landscape
The Billboard Hot 100, on the other hand, is the music industry standard for measuring the popularity of singles in the United States. It is compiled by Billboard magazine and is based on a combination of weekly physical sales and digital sales of singles, as well as terrestrial and online radio airplay. The chart’s methodology is designed to reflect a broad spectrum of consumer engagement with music.
The U.S. market is significantly larger and more diverse than the U.K. market, which can lead to different pathways for global hits to gain traction. Factors such as radio format segmentation, the influence of major music labels and their promotional strategies, and the sheer volume of content available to consumers can all play a role in how a song performs on the Hot 100.
Potential for Future Breakthrough
Despite the current discrepancy, the possibility remains that "Rein Me In" could yet achieve greater success on the Hot 100. Music trends can evolve, and songs that initially gain traction in one market may find a second wind in another. The sustained popularity of the track in the U.K. could, in time, generate greater awareness and interest in the U.S. through word-of-mouth, social media buzz, or a renewed promotional push.
However, if "Rein Me In" ultimately falls short of a top 10 position on the Hot 100, it will join a select group of songs that have enjoyed immense success in the U.K. but failed to break into the upper echelons of the American chart. This situation, while not uncommon, underscores the complex dynamics of global music consumption and the unique characteristics of each major market.
The BRIT Awards Recognition
Adding to the song’s significant accolades, "Rein Me In" was recently honored at The BRIT Awards 2026. On February 28, 2026, Sam Fender and Olivia Dean were presented with the award for Song of the Year with Mastercard by esteemed entertainer Robbie Williams. The ceremony, held at the Co-op Live arena in Manchester, England, celebrated the best of British music, further cementing the song’s status as a major achievement in the U.K. music scene. This prestigious award underscores the critical acclaim and popular appreciation the song has garnered domestically.
Looking Ahead
The ongoing performance of "Rein Me In" on both charts will continue to be a point of interest for music industry observers. Its nine-week reign at No. 1 in the U.K. is a remarkable achievement, and its journey on the Billboard Hot 100 will be closely watched. Whether it ultimately climbs into the top 10 in the U.S. or remains a celebrated U.K. hit, "Rein Me In" has already secured its place as a significant musical collaboration between two prominent British artists. The data suggests a strong cultural resonance in their home country, while its potential for wider U.S. adoption remains a developing story. The music industry will undoubtedly continue to analyze the factors that contribute to such transatlantic chart divergences.