Olivia Rodrigo’s reign at the top of the ARIA Albums Chart continues as her latest release, "You Seem Pretty Sad For A Girl So In Love," secures a fourth non-consecutive week at the coveted number one position. The pop sensation’s dominance on the Australian music scene was underscored this week by a significant chart battle with rock and roll titans, The Rolling Stones, whose highly anticipated 25th studio album, "Foreign Tongues," debuted at number two. This strong opening for the legendary British band highlights their enduring appeal and consistent ability to resonate with Australian audiences.
"Foreign Tongues" marks a significant milestone for The Rolling Stones, representing their 25th studio album and their sixth top-five entry since the ARIA Charts officially launched in 1983. This latest release follows the critical and commercial success of their 2023 album, "Hackney Diamonds," which peaked at number three on the ARIA Albums Chart. The Stones’ history on the Australian charts is extensive, with numerous previous albums reaching the pinnacle of the charts before the ARIA era. These include "Out Of Our Heads" (1965), "Sticky Fingers" (1971), "Exile On Main Street" (1972), "Goats Head Soup" (1973), "It’s Only Rock ‘N Roll" (1974), "Black and Blue" (1976), "Some Girls" (1978), "Emotional Rescue" (1980), and "Tattoo You" (1981), solidifying their legacy as one of the most successful acts in Australian music history.
The robust performance of "Foreign Tongues" at number two signifies a strategic positioning within the current music landscape. While Rodrigo’s album maintains its hold on the top spot, the Stones’ strong debut underscores the diverse tastes of Australian music consumers, who continue to embrace both contemporary pop and established rock acts. The album’s success is likely a testament to a well-executed marketing campaign, significant pre-release hype, and the band’s loyal, multi-generational fanbase. The ARIA Charts, which track album sales and equivalent units, provide a crucial barometer of commercial success, and the Stones’ placement indicates a substantial engagement from the Australian market.
New Entries and Notable Debuts
This week’s ARIA Albums Chart also features a vibrant mix of new entries and strong performances from established artists. Closing out the top three is the soundtrack to the Canadian drama "Heated Rivalry" (Milan Records/Sony), which makes a powerful debut at number three. Released in January of this year, the soundtrack’s surge in popularity is attributed to its recent release in physical formats, demonstrating the continued importance of vinyl and CD sales in the Australian market, especially for curated collections. The album boasts an eclectic mix of artists, including Canadian musician Peter Peter, alongside tracks from notable acts such as Wolf Parade, Wet Leg, and t.A.T.u., appealing to a broad audience drawn to the film’s narrative and its diverse musical offerings.
Further down the chart, Bring Me The Horizon’s "Count Your Blessings Repented" (RCA/Sony) enters at number five. This release is a re-recorded version of their debut album, created to commemorate its 20th anniversary. While the original "Count Your Blessings" did not chart on the national Australian albums list, the Sheffield-based alternative rockers have since achieved significant success in Australia, accumulating four number-one albums. This re-recorded version’s entry at number five highlights the band’s sustained popularity and their ability to engage with fans through anniversary projects and reimagined versions of their earlier work. The move suggests a strategic effort to capitalize on nostalgia while also appealing to newer fans with a refreshed sonic palette.
The Temper Trap, the Melbourne-based indie-rock outfit, marks a triumphant return to the top 10 with their fourth studio album, "Sungazer" (Mushroom Music), debuting at number nine. This marks their first album release in a decade, signifying a significant comeback for the ARIA Award-winning band. "Sungazer" continues The Temper Trap’s impressive streak of top-10 appearances, with all four of their studio albums achieving this milestone. Their self-titled album in 2012 reached number one, establishing them as a major force in Australian music. The successful debut of "Sungazer" not only reaffirms their place in the Australian music landscape but also suggests a strong connection with their fanbase, eager to welcome new material after a prolonged absence.
Chart Movements and Established Artists
Jack White, the acclaimed multi-instrumentalist and former frontman of The White Stripes, also makes a notable appearance on the chart. His seventh solo studio album, "Frozen Charlotte" (Third Man Record), cracks the top 20, debuting at number 17. This represents his best chart position in Australia since 2018’s "Boarding House Reach," which peaked at number 11. White’s solo career has seen consistent success, with his 2012 album "Blunderbuss" reaching a career-high of number two on the ARIA Charts, showcasing his enduring influence and dedicated following.
The latter half of the ARIA Albums Chart sees a variety of other artists making their mark. Future’s "The Real Me" (Epic/Sony) lands at number 23, followed by The Plot In You’s self-titled release (Concord/Universal) at number 27. Australian rock band The Velvet Club contributes to the domestic presence on the charts with their new album "Are You Falling In Love?" (CMI), debuting at number 29. "Australian Idol’s" 2024 champion, Dylan Wright, makes an appearance with his fourth EP, "Crossroads" (Sony), starting at number 33. Adam Lambert’s latest offering, "Adam" (Orchard), is at number 36, and Bella Kay’s "My Reckless Abandon" (Atlantic/Warner) rounds out this section of the chart at number 38.
ARIA Singles Chart Update
On the ARIA Singles Chart, Ella Langley’s track "Choosin’ Texas" (Sony Music) maintains its dominant position, holding onto the number one spot for a sixth non-consecutive week. This extended run at the top highlights Langley’s significant impact on the Australian singles market and continues a notable trend of female artists leading the chart. The last male artist to achieve the number one position on the singles chart was Justin Bieber with his song "Daisies," which topped the chart published on July 25, 2025. This near-year-long streak for female artists underscores a significant shift or a particularly strong period of success for women in Australian music. The current week’s singles chart sees no new entries, indicating the established artists’ strong hold on popular demand.
The ARIA Charts, compiled weekly, offer a comprehensive overview of Australia’s music consumption trends, reflecting the dynamic interplay between global superstars and emerging local talent. The continued success of artists like Olivia Rodrigo and The Rolling Stones, alongside the strong debuts of new and returning acts, demonstrates the robust and diverse nature of the Australian music market. The chart’s performance data is crucial for artists, labels, and industry professionals, providing insights into consumer preferences and the evolving landscape of music consumption in the digital age, where physical sales and streaming metrics are combined to determine chart positions. The presence of various genres, from pop and rock to soundtracks and indie, further illustrates the broad appeal of music across different demographics within Australia.