Ozuna, Beéle & Ovy on the Drums’ ‘Enemigos’ Rules Latin Airplay Chart
The vibrant landscape of Latin music has a new champion atop the Billboard Latin Airplay chart, with the collaboration "Enemigos" by Ozuna, Beéle, and Ovy on the Drums ascending to the coveted No. 1 position for the chart dated April 4. This milestone signifies a remarkable achievement for all three artists, underscoring Ozuna’s enduring legacy, Beéle’s growing influence, and Ovy on the Drums’ well-deserved recognition as a credited artist. The track’s success, driven by significant radio airplay, reflects its widespread appeal and the powerful synergy of its contributing artists.
"Enemigos" garnered an impressive 8.2 million radio audience impressions in the week ending March 26, marking a substantial 9% increase in reach, according to data provided by Luminate. This surge in listener engagement propelled the track from the No. 2 spot to the pinnacle of the Latin Airplay chart, a testament to its growing popularity and strategic promotion. The Latin Airplay chart, a cornerstone of Billboard’s tracking of the genre, measures the audience impressions of songs played on Latin-formatted radio stations across the United States. Its ascent to the top highlights the song’s ability to resonate with a broad demographic of Spanish-speaking radio listeners.
For Ozuna, this marks his 37th No. 1 hit on the Latin Airplay chart, a staggering accomplishment that solidifies his position as one of the most dominant forces in contemporary Latin music. This figure places him second all-time among artists since the chart’s inception in 1994, trailing only J Balvin, who boasts 40 chart-toppers. The elite company Ozuna keeps on this historical list—which includes legends like Enrique Iglesias, Bad Bunny, Daddy Yankee, Maluma, Shakira, Wisin, Romeo Santos, and Karol G—further emphasizes the magnitude of his sustained success. His ability to consistently produce chart-topping hits over the years speaks to his adaptability and his keen understanding of the evolving musical tastes of his audience.
A Legacy of Chart Dominance: Ozuna’s Reign
Ozuna’s journey to his 37th No. 1 is a narrative of consistent performance and strategic evolution. His most recent string of chart-toppers on Latin Airplay demonstrates a remarkable streak of success. Prior to "Enemigos," his collaborations with Kapo on "Más Que Tuyo" and his solo track "Sirenita," both released in 2025, also reached the summit. This pattern suggests a potent formula for chart success, where Ozuna’s star power and musical appeal are amplified through well-chosen collaborations and impactful solo releases.
His first foray into the No. 1 position on Latin Airplay was as a featured artist on Wisin’s 2017 hit "Escápate Conmigo." This early success paved the way for his emergence as a leading artist. His maiden ruler as a lead artist came in 2018 with the chart-topping duet "La Modelo" featuring Cardi B, a collaboration that generated significant buzz and showcased his versatility by bridging reggaeton with elements of urban Latin pop. The consistent flow of number one hits since then, including his latest triumph with "Enemigos," paints a picture of an artist who has not only maintained his relevance but has continuously found ways to innovate and captivate his listeners.
Beéle’s Sophomore Triumph and Ovy on the Drums’ Producer-to-Artist Milestone
While Ozuna basks in the continued glow of his unparalleled success, "Enemigos" also represents a significant career milestone for his collaborators. For Beéle, this No. 1 marks his second chart-topping single on Latin Airplay. His first victory came in 2023 with the anthemic "Vagabundo," a collaboration that featured the talents of fellow hitmakers Sebastian Yatra and Manuel Turizo. This second number one solidifies Beéle’s position as a prominent voice in the current Latin music scene, demonstrating his ability to deliver songs that resonate deeply with radio audiences and critics alike. His ascent is a testament to his evolving artistry and his growing appeal within the genre.

Perhaps the most profound breakthrough of "Enemigos" belongs to Ovy on the Drums. While he has been a celebrated producer for years, accumulating an impressive 12 No. 1 hits on Latin Airplay in that capacity, "Enemigos" marks his very first chart-topper as a credited artist. This achievement is particularly noteworthy, as it recognizes his creative vision and performance alongside his production prowess. "Enemigos" is Ovy on the Drums’ eighth appearance on the Latin Airplay chart as an artist. His debut on the chart occurred in 2021 with the collaboration "Miedito o Qué?," featuring Karol G and Danny Ocean. This journey from behind the boards to the front of the stage, culminating in a No. 1 hit, is a testament to his multifaceted talent and his ambition to expand his artistic footprint. It highlights a growing trend in the music industry where producers are increasingly stepping into the spotlight to showcase their full artistic capabilities.
Context and Performance: "Enemigos" Across the Charts
The success of "Enemigos" is not confined to the Latin Airplay chart alone. The track is currently in its second week at the helm of the Billboard Latin Rhythm Airplay chart, further demonstrating its broad appeal across different facets of the Latin music radio landscape. This dual dominance signifies a powerful synergy between the urban and traditional Latin radio formats, allowing the song to reach an even wider audience.
Beyond radio, "Enemigos" has also made significant strides on other Billboard charts. It has climbed to a new peak of No. 23 on the highly competitive, multimetric Hot Latin Songs chart. This chart, which blends airplay, sales, and streaming data, provides a comprehensive measure of a song’s overall popularity. The song’s ascent on Hot Latin Songs, following its No. 26 debut the previous frame, is a strong indicator of its sustained momentum. In addition to its radio airplay, "Enemigos" has garnered 310,000 official U.S. streams, contributing to its impressive performance across all platforms. Furthermore, the track has risen to No. 9 on the Hot Latin Rhythm Songs chart, reinforcing its strength within the urban Latin music sphere.
Album Context and Future Implications
"Enemigos" is a key track from the 2025 collaborative album Stendhal by Ozuna and Beéle. The album itself debuted at No. 15 on the Billboard Top Latin Rhythm Albums chart in December 2025, indicating a solid foundation of support for the project. To date, Stendhal has accumulated 25,000 equivalent album units, showcasing the commercial viability of this artistic partnership. The success of "Enemigos" as a single is likely to drive further interest in the album, potentially leading to increased sales and streaming figures in the coming weeks and months.
The sustained success of "Enemigos" and its prominent placement on multiple Billboard charts have significant implications for the artists involved and the broader Latin music industry. For Ozuna, it reinforces his status as an enduring icon capable of delivering hit after hit. For Beéle, it confirms his arrival as a major contender in the genre, with the potential to headline major projects. For Ovy on the Drums, his first No. 1 as a credited artist opens new doors and validates his artistic aspirations beyond production. The collaborative nature of the project also highlights the power of strategic partnerships in the music industry, where artists can leverage each other’s strengths to achieve greater commercial and critical success.
As the music industry continues to evolve, the success of "Enemigos" serves as a powerful example of how a well-crafted song, featuring established and emerging talent, can conquer the charts and capture the hearts of listeners worldwide. The chart week ending April 4 promises to be a celebrated one for these artists, with all Billboard charts for this period set to update on Billboard.com on Tuesday, March 31, likely revealing further shifts and confirmations of their chart achievements. The continued performance of "Enemigos" will be closely watched as it aims to etch its place further into the annals of Latin music history.